- White Feather Pt. 1
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White Feather in The Great War

What did the white feather represent in World War 1?

The White Feather was given out to boys and men, old enough to register for the army but didn’t register, by women as a sign of cowardice. Some women went over top and “awarded” the feather to ex-boyfriends who they were tired of or game them to boys that were not actually mature enough to join the forces.



[ featured music: White Feather Pt. 1 by Tiny Little Houses ]



Dear Moon from Belgian duo Coffee Or Not.

The stop-motion video, directed by Pikaboo (Michèle Jacob & Gwendoline Baye), can also be seen behind-the-scenes in this bonus Dear Moon (Making Of) short.

Alex Gross turns portrait photos from the 1870s into super heroes trading cards.


Without Words 
by Rubbishmonkey

Without Words

by Rubbishmonkey

The Haymarket Squares serenade loyal customers of KFC with a guerrilla-performance of Down on the farm, their mock-joyful ditty about factory farming.

The shift manager is not pleased by this and doesn’t look too thrilled about the punkgrass act’s giant dancing chicken either, but some of the customers enjoy the impromptu show nonetheless. 




Richard Brody on What to See This Weekend: Wes Anderson’s Moonrise Kingdom, Twice
from newyorker

What makes the film thrillingly different—in content and in affect, in emotional energy and in visual imagination—is its metaphysical and religious element. There’s an expressly transcendent theme in “Moonrise Kingdom” that raises the tender and joyous story of young lovers on the run to a spiritual adventure. The moral vision of the world, which was always implicit and latent in Anderson’s other films, here bursts out as a distinctive, ecstatic, visionary new cinematic dimension. Anderson has always been far more than just an exquisite stylist—his style is an essential part of a consistent spiritual vision. But in “Moonrise Kingdom,” his world view is projected beyond personal experience into a cosmic fantasy. It’s Anderson’s own counter-Scripture, a vision of a moral order, ordained from on high, that challenges the official version instilled by society at large—and he embodies it in images of an apt sublimity (as well as an aptly self-deprecating humor).

Click-through to read the rest of Brody’s review. 

Richard Brody on What to See This Weekend: Wes Anderson’s Moonrise Kingdom, Twice

from newyorker

What makes the film thrillingly different—in content and in affect, in emotional energy and in visual imagination—is its metaphysical and religious element. There’s an expressly transcendent theme in “Moonrise Kingdom” that raises the tender and joyous story of young lovers on the run to a spiritual adventure. The moral vision of the world, which was always implicit and latent in Anderson’s other films, here bursts out as a distinctive, ecstatic, visionary new cinematic dimension. Anderson has always been far more than just an exquisite stylist—his style is an essential part of a consistent spiritual vision. But in “Moonrise Kingdom,” his world view is projected beyond personal experience into a cosmic fantasy. It’s Anderson’s own counter-Scripture, a vision of a moral order, ordained from on high, that challenges the official version instilled by society at large—and he embodies it in images of an apt sublimity (as well as an aptly self-deprecating humor).

Click-through to read the rest of Brody’s review


‘The Attack of the Shitty-Looking Robot’ is one of my favorite sci fi subgenres.
- kgthunder

‘The Attack of the Shitty-Looking Robot’ is one of my favorite sci fi subgenres.

kgthunder

Blown Covers: Gay Marriage
“I was extremely honored that Françoise Mouly and Nadja Spiegelman chose my image as the winner this week for their Blown Covers competition. The theme this week was “The Gays”, reflecting Obama’s recent statements about his evolving views regarding Gay Marriage. While I’m certainly not the first person to speculate about Bert & Ernie’s more personal and private relationship, I thought they were well suited to represent how a lot of gay couples must have felt hearing Obama’s comments … after all, they’ve been together for almost 50 years … as “just friends” or otherwise.” - Jack Hunter,  Jack Hunter’s Sketchbook

Blown Covers: Gay Marriage

“I was extremely honored that Françoise Mouly and Nadja Spiegelman chose my image as the winner this week for their Blown Covers competition. The theme this week was “The Gays”, reflecting Obama’s recent statements about his evolving views regarding Gay Marriage. While I’m certainly not the first person to speculate about Bert & Ernie’s more personal and private relationship, I thought they were well suited to represent how a lot of gay couples must have felt hearing Obama’s comments … after all, they’ve been together for almost 50 years … as “just friends” or otherwise.” - Jack Hunter,  Jack Hunter’s Sketchbook

The Living Mummies

from: odditiesoflife

Self-mummified monks: A few Buddhist temples in northern Japan are home to “living mummies” known as sokushinbutsu (即身仏). The preserved bodies are purportedly those of ascetic monks who willingly mummified themselves in the quest for nirvana.

To become a living mummy, monks had to undergo a long and grueling three-step process.

Step 1: For 1,000 days, the monks would eat a special diet of nuts and seeds to strip the body of fat.

Step 2: For another 1,000 days, they would eat only bark and roots in gradually diminishing amounts. Toward the end, they would start drinking tea made from the sap of the urushi tree, a poisonous substance, which caused further loss of bodily fluid. The tea was brewed with water from a sacred spring at Mt. Yudono, which is now known to contain a high level of arsenic. The concoction created a germ-free environment within the body and helped preserve whatever meat was left on the bone.

Step 3: The monks would retreat to a cramped underground chamber connected to the surface by a tiny bamboo air pipe. There they would meditate until dying, at which point they were sealed in their tomb. After 1,000 days, they were dug up and cleaned. As many as two dozen of these living mummies are in the care of temples in northern Honshu.

The Japanese government outlawed the practice of self-mummification in the late 19th century.

 - RPM Orchestra: Lights Out!
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Lights Out! is music from RPM Orchestra’s live performance at downtown Phoenix’s Seven Ate Nine (19 May ‘12).

It’s a surreal five minute gypsy-waltz (with tap dancing!) turned industrial-jazz excerpt, from the original 15-minute set. 

An hour-long look at Bonnie Parker and Clyde Barrow, well-known outlaws who traveled the Central United States with their gang during the Great Depression, until ambushed and killed on May 23, 1934.

“…Jon Huntsman, who ran unsuccessfully for the Republican presidential nomination but since dropping out has been a major advocate for a third party: “Today’s pathetic political environment will be upended either by visionary solutions-based leadership or by the kind of disruptive organizing technology being fine-tuned by Americans Elect.”

Maybe. But the failure of Americans Elect to field a candidate in 2012 is yet more evidence that there is a cavernous gap between the idea of running a third party candidate for president and the reality of doing so — a gap no one has figured out how to bridge just yet…”

Striking Self Portraits by Kyle Thompson

Thompson takes self-portraits up a notch with his surreal and stunningly eerie style. Unafraid to take risks, he creates photos that are shocking. Almost more shocking is that he’s a pizza delivery man who took up photography only about a year ago. Look through his 365 project (he’s currently at day 155) and you’ll notice how his style and technique has quickly started to evolve.

[ from devidsketchbookvia mymodernmet ]